The person behind the jewelry

Asher James Houston

Asher in his workshop wearing safety glasses

I’m learning to turn curiosity, patience, and practice into jewelry made by hand.

Based
Escondido, California
Apprenticed with
Michael Brazell, goldsmith
Began
October 13, 2024
Focus
Handmade inlay rings
The workshop bench

How the journey began

I have always been drawn to people who can take an idea and turn it into something real. I tend to approach the world logically, and creative work did not come naturally to me. Rather than accepting that as a limitation, I began deliberately practicing drawing, design, and the process of making something from nothing. I learned that improvement comes through repetition, patience, and a willingness to work outside your comfort zone.

Continue the story

After transferring from Saddleback Community College to California State University San Marcos, I moved to Escondido and began a new chapter. Through a jewelry repair and replacement, I met Michael Brazell, a goldsmith who introduced me to the standards and precision behind quality jewelry. I commissioned platinum earrings with genuine diamonds and watched him work under a microscope, carefully joining a platinum chain to an earring before cleaning and finishing the piece.

Seeing that level of care made the craft tangible. Then Michael asked me, “How would you like to do this?” I accepted the opportunity to learn from him. I had been praying for an opportunity to create things with my hands, and the apprenticeship felt like an answer to that prayer. My jewelry-making journey began on October 13, 2024.

Turning a ring blank on the lathe

Learning through repetition

I began with hand tools and the repetitive work of fabricating quarter rings. Those early exercises taught me to control my movements, work delicately, and understand that small details matter. From there, I learned surface finishing under a microscope, along with melting, casting, and forging metal. I practiced with copper before moving toward precious metals, building confidence one technique at a time.

A past piece: white ceramic ring with shell inlay, on rock

Exploring materials

As my skills developed, I began using a metal lathe to turn ring blanks and building inlay cores piece by piece. I later moved into design and resin 3D printing, and I am now continuing to study lost-wax and centrifugal casting with precious metals.

Materials I’ve experimented with

  • Amber
  • Synthetic opal
  • Seashell
  • Wood
  • Copper
  • Titanium
  • Stainless steel
  • Ceramic
  • Snake skin
  • Monitor lizard skin
Ring under the microscope

Work of my own

My current focus is handcrafted inlay rings and the skills needed to bring each piece from an idea toward a finished object. Jewelry has taught me to plan carefully without becoming rigid, adapt to the material in front of me, and recognize that there can be more than one way to reach a good result. Different materials call for different techniques, and learning to respond to those differences is part of the craft.